Abstract

These orchestras sent their lists of excerpts, which totaled 373 (including solo and string quartet repertoire), and the number of orchestras requiring each excerpt was tallied. Some orchestras specified which movement or measures of a movement were required while other orchestras were not as specific. Regarding the latter, if an orchestra asked for Schumann's Symphony No. 2, all of the movements were tallied separately, even though an experienced auditioner knows that the second movement, Scherzo, will probably be the only movement requested. (This is also indicated by the frequency of requests for the Scherzo on many audition lists.) My own experience on audition committees and as an auditioner, along with interviews of concertmasters from major orchestras and specific requirements on some lists, have helped determine the locations in an excerpt that are generally required.
The most noticeable results of the survey were the sixteen requirements of Richard Strauss's Don Juan, twelve of the Scherzo from Schumann's Symphony No. 2, and eleven of the Scherzo from A Midsummer Night's Dream by Mendelssohn. The concertos most often used were the first movements of the following: Brahms (10), Tchaikovsky (9), and Sibelius (9). Additional repertoire was tallied including more violin excerpts, concertmaster and associate/assistant concertmaster solos, first violin parts of string quartets, and solo pieces.
This list puts into perspective the scope of the repertoire violinists could encounter at auditions. There are approximately 838 other orchestras in the United States, as listed in the Musical America Directory, and many foreign orchestras that might ask for other material. 1 The lists in this article do not include repertoire that might be required by foreign orchestras.
Orchestras Participating in the Survey
Class AA or Major Orchestras
Budgets of $10,000,000 and higher
Boston Symphony Orchestra
Cincinnati Symphony Orchestra
Chicago Symphony Orchestra
Houston Symphony
Philadelphia Orchestra
Pittsburgh Symphony Orchestra
Saint Louis Symphony Orchestra
Class a Orchestras
Budgets between $3,600,000 and $10,000,000
Columbus (Ohio) Symphony Orchestra
Kansas City Symphony
North Carolina Symphony Orchestra
Rochester Philharmonic Orchestra
Class B Orchestras
Budgets of $1,030,000 to $3,600,000
Cedar Rapids (Iowa) Symphony Orchestra • Charleston (South Carolina) Symphony Orchestra
Golarado Springs Symphony
Omaha Symphony Orchestra
Tulsa Philharmonic Orchestra
Class C Orchestras
Budgets between $260,000 and $1,050,000
National Repertory Orchestra (Breckenridge, California)
South Dakota Symphony Orchestra
The orchestras that participated in the survey are classified by annual operating budget.
Orchestral Violin Excerpts
Concert Master Excerpts
In addition to section violin repertoire.
String Quartets
Solo Violin Works
Including cadenzas where applicable.
Viola Excerpts
The following list of viola orchestral excerpts was compiled by Wing Ho, recently appointed professor of viola at the Beijing Conservatory, after a survey of thirty American orchestras. These excerpts were selected for publication in the new Standard Orchestral Audition Excerpts for Viola, available in the United States from Cattle Publishing, based on the frequency of their appearance on the audition lists of the orchestras surveyed.
Solo Passages
For more information, contact Castle Enterprises, 3478 B Pleasantbrook Village Lane, Atlanta, GA 30340–5661; tel./fax: 770–414–9832; email:
Footnotes
L.
L. Tony Brandolino is assistant professor of music and director of orchestral activities and teaches violin and viola at Central Missouri State University in Warrensburg. He has recently been appointed concertmaster and assistant conductor of the Philharmonia of Kansas City. He was concertmaster of the Augusta Symphony and the Spoleto Festival Orchestra and has experienced both sides of the orchestral audition process—as an applicant and as a member of audition committees.
