Abstract
The purpose of this study was to investigate the extent that concert band directors’ self-efficacy for teaching strategies was influenced by its four sources: mastery experiences, verbal persuasions, vicarious experiences, and physiological state. A secondary purpose was to investigate possible relationships between directors’ self-efficacy and self-perceptions of effective teaching. Participants were high school concert band directors (N = 610). They responded to the Concert Band Directors’ Self-Efficacy for Teaching Strategies Scale, Sources of Self-Efficacy for Concert Band Teaching Scale, and a scale for effective teaching abilities. Directors’ self-efficacy for teaching strategies were influenced most by mastery experiences, followed by verbal persuasions, physiological state, and vicarious experiences. Participants’ self-efficacy scores associated with their experience level and the influence of each source on self-efficacy differed between early-, mid-, and late-career directors. Furthermore, participants who reported greater self-efficacy for teaching strategies also rated themselves as more confident for using effective teaching skills.
Researchers have suggested that teacher self-efficacy (i.e., a teacher’s belief in one’s ability to bring about change in student learning and behavior) may have important influences on student and teacher outcomes (Bandura, 1997; Tschannen-Moran & Woolfolk Hoy, 2001). Bandura (1997) proposed that self-efficacy was influenced by four sources of information: (a) enactive mastery experiences (successful and unsuccessful task experiences), (b) verbal persuasions (feedback from others), (c) vicarious experiences (observations of others with similar abilities), and (d) physiological state (psychological and physical). The cyclical nature of student performance informing teachers’ approaches can have important effects on learning outcomes and behavior (Tschannen-Moran et al., 1998). For example, successful student mastery experiences can improve teacher effort and motivation, which leads to better student performance and greater teacher efficacy. The opposite can also be true. Woolfolk Hoy and Davis (2006) proposed a framework in which teacher self-efficacy affects both student and teacher outcomes directly, indirectly, and/or relationally. Over time, teacher self-efficacy can impact students’ self-efficacy (Anderson et al., 1988; Ross et al., 2001), motivation (Midgley et al., 1989), self-regulation (Woolfolk Hoy & Davis, 2006), and academic achievement (Ashton & Webb, 1986; Muijs & Reynolds, 2002). It is evident that teacher self-efficacy can influence student learning and behavior.
Relationships appear to exist between the self-efficacy of teachers and their pedagogical approaches. Highly efficacious teachers implemented more activity-based teaching strategies (Riggs & Enochs, 1990), used cooperative learning techniques more often (Dutton, 1990), and were more willing to try new teaching methods to meet individual student needs (Cousins & Walker, 2000) than teachers with lower efficacy. Teachers with high efficacy were also less critical of students who made errors (Ashton & Webb, 1986) and worked longer with students who were struggling (Gibson & Dembo, 1984) than less efficacious teachers. Ross (1998) concluded that teachers with higher efficacy beliefs set higher goals and were more persistent, resulting in “greater classroom success and these mastery experiences . . . contribute to higher expectations” (p. 57).
Teacher self-efficacy may also affect one’s own pedagogical behaviors and beliefs. In a meta-analysis of teacher efficacy studies, Klassen and Tze (2014) found teacher self-efficacy and personality to have a small but significant effect on teacher effectiveness. Highly efficacious teachers experimented with instructional materials and displayed greater ability to plan, organize, and teach the whole class for longer periods of time (i.e., direct teach) than those with lower efficacy (Muijs & Reynolds, 2002). Efficacious teachers reported higher levels of commitment toward teaching (Coladarci, 1992) and may be more likely to remain in the teaching profession than less efficacious teachers (Burley et al., 1991). Klassen and Chiu (2010) found that greater job satisfaction related to greater efficacy for classroom management and teaching strategies, whereas lower job satisfaction and teaching efficacy was influenced by greater classroom stress. The authors of the study also reported efficacy for classroom management and teaching strategies positively influenced job satisfaction. Findings that effective teaching strategies, commitment, and job satisfaction are related with high levels of teacher self-efficacy may indicate a need to explore preservice and professional teachers’ efficacious behaviors.
In addition to teachers in general education settings, researchers have examined the efficacious beliefs of music teachers. Wagoner (2011) found that K–12 music teachers’ commitment to teaching was moderately correlated with their efficacious beliefs. Commitment and efficacy also have been studied in relation to beginning music teachers’ mentorship programs, although neither was influenced by the perceived effectiveness of the mentor (Koerner, 2017). Music teachers with reported high levels of school and classroom efficacy could be less at risk for attrition and migration, possibly due to the administrative and parental support they receive (Hancock, 2008). Teachers’ perceptions of support were indicative of efficacy beliefs among nonmusic teachers, as well (Woolfolk Hoy & Burke-Spero, 2005). Perhaps these sources of support provide positive verbal persuasions for teachers that is reflected in their efficacy for teaching.
The sources of self-efficacy have been studied among general education teachers (Tschannen-Moran et al., 1998; Tschannen-Moran & Johnson, 2011; Woolfolk Hoy & Burke-Spero, 2005), but few have examined the ways that music teachers’ self-efficacy is influenced. The relative effect of specific sources on teacher efficacy may change over time, particularly among novice teachers who have fewer mastery teaching experiences (Tschannen-Moran et al., 1998). Contextual factors, such as gender, ethnicity, academic ability, academic grade level, and academic subject, can also influence the strength of efficacious sources (Usher & Pajares, 2008). Still, it seems that mastery experiences have the most effect on beliefs across academic domains (Bandura, 1997; Hendricks, 2014; Usher & Pajares, 2008). By better understanding how the sources of self-efficacy influence music teachers’ efficacious beliefs, music teacher educators may provide better preparation that impacts teachers’ confidence in the classroom positively.
Researchers studying relationships between music teacher self-efficacy and years of experience (i.e., mastery experiences) have found mixed results. The self-efficacy of K–12 music teachers (Wagoner, 2011) and instrumental and vocal teachers (Biasutti & Concina, 2018) were found to correspond with years of teaching experience. However, high school band directors (Regier, 2019) and beginning music teachers in mentorship programs (Koerner, 2017) did not hold higher self-efficacy beliefs as a result of teaching experience. Similar varied results have been found in studies of general education teachers. For example, Tschannon-Moran and Johnson (2011) found that years of teaching was not significantly associated with teacher self-efficacy among a sample of elementary and middle school teachers. However, Klassen and Chiu (2010) reported that general education teacher self-efficacy improved from the 1st year to approximately the 23rd year but then declined afterward. Late-career teachers may replace feelings of motivation with those of serenity or even disengagement (Huberman, 1989). Investigating how self-efficacy and its sources are influenced by years of experience could provide insight about teachers’ efficacious development over time.
Although researchers have studied how the self-efficacy of general education teachers may relate to source influences and professional outcomes, little is known about these relationships among concert band directors. Regier (2019) found band directors’ efficacy for concert band pedagogy to be significantly higher than their marching and jazz band pedagogy, supporting Bandura’s (1997) theory that efficacious beliefs are context specific. Teaching behaviors and skills related to effective teaching have been studied among high school band directors (MacLeod & Walter, 2011; Miksza et al., 2010), but relationships between the behaviors and director self-efficacy were not examined. Considering the contextual nature of efficacious beliefs and the pedagogical skills needed to teach in ensemble settings, it seems appropriate to investigate how director self-efficacy is influenced and whether differences relate with their teaching behaviors. Music teacher educators could use results related to effective teaching behaviors to guide the development of course content and structure field experiences that might improve preservice teacher self-efficacy. Identifying how different kinds of experiences influence directors at different stages of their career may inform those charged with designing professional development opportunities about in-service directors’ efficacious needs.
The purpose of this study was to investigate high school concert band directors’ efficacious sources and self-efficacy for teaching strategies. A secondary purpose was to investigate possible relationships between directors’ self-efficacy and self-perceptions of effective teaching skills. The research questions included the following: (1) How much influence do mastery experience, vicarious experience, verbal persuasion, and physiological state have on concert band directors’ self-efficacy for teaching strategies? (2) Does concert band directors’ self-efficacy for teaching strategies or its sources differ by years of teaching experience? (3) What relationships, if any, exist between concert band directors’ self-efficacy for teaching strategies and their self-rated ability for effective teaching skills?
Method
Participants
National Association for Music Education (NAfME) members who identified as high school (Grades 9–12) concert band directors were invited to participate in this study. I conducted an a priori power analysis using G*Power 3.1.9.2 software (Faul et al., 2007) to identify the minimum sample size with an acceptable level of statistical power to identify a small effect (Cohen, 1992). The results of the power analysis indicated a minimum sample size of 246 for an ANOVA test and 42 based on a linear multiple regression test (input parameters included a projected effect size of f = .20, α = .05, and a power level [1 – β] of .8).
An assistant at NAfME sent an invitation email message to 11,937 member high school band directors on my behalf upon project approval by the Society for Research in Music Education Executive Committee and the payment of a fee. An email invitation to potential participants included consent information approved by the institutional review board (IRB), the purpose and description of the study, and an electronic link to the survey. A reminder email was sent 1 week after delivery of the first email invitation. A total of 848 (7.10%) individuals responded to the invitation. After removing outlier self-efficacy for teaching strategies scores (z score > 3.29; Field, 2013) and nonconcert band teachers from the data set, there were 610 usable responses.
Of the respondents (N = 610), 72.6% were male, 25.9% were female, and 9.1% preferred not to respond; and age ranged from 22 to 80 years (M = 41.25, SD = 11.85). Most participants had completed their master’s degree (61.3%), whereas others completed their bachelor’s (33.7%) or doctorate (5.0%). Respondents reported their years of high school concert band teaching experience (M = 14.56, SD = 10.97), with experiences ranging from 1 to 53 years. Most were full-time teachers (96.9%). Band directors reported teaching at elementary (19.3%), middle (52.7%), or high (99.6%) schools, and responses indicated that many teachers worked at two or more levels. Participants worked at public (88.8%), private (8.8%), or charter schools (2.4%) with enrollments ranging from 11 to 7,000 students (M = 944.32, SD = 759.79) in rural (49.8%), suburban (42.3%), or urban (7.9%) settings. Directors taught in the United States and indicated their NAfME region as Eastern (28.6%), North Central (22.4%), Northwestern (10.1%), Southern (17.9%), Southwestern (13.1%), or Western (8.0%).
Measures
Concert Band Directors’ Self-Efficacy for Teaching Strategies (BDSETS) Scale
I adapted a four-item scale designed by Tschannen-Moran and Woolfolk Hoy (2001) to measure concert band directors’ self-efficacy beliefs for teaching strategies. Items for the self-efficacy measure were preceded by the stem, “In a concert band setting, I can . . .,” and were rated according to strength of confidence on a scale from 0 (not confident) to 10 (highly confident). A sample item included “Provide an alternative explanation or example when students are confused.” The internal consistency of the scale was high (α = .85). See Appendix A (included with the online version of the article) for the BDSETS Scale.
Sources of Self-Efficacy for Concert Band Teaching Scale
I collected the influence of each source on concert band directors’ self-efficacy for teaching by using a scale adapted from previous measurements of the sources of music student performance self-efficacy (Zelenak, 2015) and student math self-efficacy (Usher & Pajares, 2006). Participants rated their level of agreement on 24 items using a Likert-type scale anchored by 0 (strongly disagree) and 10 (strongly agree). Zelenak (2015) modified his scale from a measure designed by Usher and Pajares (2006), which was found to be highly reliable, valid, and invariant across gender, ethnicity, and ability level. Two examples of these modified items are “People have told me I have a talent for teaching concert band” and “I have always been good at teaching concert band.” The internal consistency of the scale was excellent (α = .92). See Appendix B (included with the online version of the article) for the Sources of Self-Efficacy for Concert Band Teaching Scale.
Effective teaching skills
Participants rated their level of agreement with 10 items on a Likert-type scale with anchors of 0 (not effective) and 10 (highly effective). I adapted the items from a list of teachers’ previously reported highest-rated effective teaching skills (Teachout, 1997) that also were used in research about effective band director skills (Miksza et al., 2010). Items included “Maintain excellent classroom management and procedures” and “Maximize students’ time on task.” A list of the effective teaching skills is found in Appendix C (included with the online version of the article).
Procedures
I created an electronic survey using Qualtrics, an online survey program. To establish content validity, three music education researchers with previous experience teaching high school concert band were asked to review the items. Edits that were made according to the reviewers’ recommendations included increasing the level of specificity for identified items and modifying the survey layout. Eleven graduate students who were enrolled in a measurement and evaluation course also provided feedback about the survey. I clarified the wording of the item about years of high school teaching experience based on their feedback.
The first page of the electronic survey contained the purpose and description of the investigation, IRB information, and a notice of consent. The next sections of the survey included the BDSETS Scale and the Sources of Self-Efficacy for Concert Band Teaching Scale, respectively. The third section was designed to collect participants’ self-perceptions about effective teaching skills. Concert band directors entered demographic information on the final section of the survey. See Appendix D (included with the online version of the article) for demographic items.
Results
I calculated the means and standard deviations for BDSETS scores and each source of self-efficacy. A BDSETS score for each participant (N = 610) was generated by adding their self-reported confidence levels for the four representative scale items, resulting in a scale that ranged from 0 to 40 (M = 33.86, SD = 4.77). The Sources of Self-Efficacy for Concert Band Teaching score was the sum of the six related items, resulting in scores that could range from 0 to 60. Band directors’ responses were highest for physiological state (M = 53.01, SD = 5.87), followed by verbal persuasion (M = 52.14, SD = 7.53), vicarious experience (M = 51.94, SD = 7.15), and mastery experience (M = 49.92, SD = 5.96). Descriptive statistics for self-efficacy items are found in Table S1 (included with the online version of the article).
I conducted 10 correlation analyses to examine how participants’ self-efficacy for teaching strategies related with its four sources. Spearman’s rho test was used to calculate correlations due to violating the assumption of normality needed to use Pearson’s test. Correlations (rs) ranged from .64 (mastery experience and verbal persuasion) to .32 (BDSETS and vicarious experience). All were significant at the .001 level. (For complete correlation statistical information see Table S2, included with the online version of the article.)
In order to predict BDSETS from its four sources, I used a multiple-regression analysis. Assumptions of homoscedasticity, independence of the errors, and multicollinearity were met. Following a significant Shapiro-Wilk test (p < .05), bootstrapped samples were used to accommodate for the violation of normality. After accounting for all four of Bandura’s (1997) theorized sources of self-efficacy, I found mastery experience (b = .27) to be the strongest significant predictor of BDSETS, followed by verbal persuasion (b = .12) and physiological state (b = .10), R2 = .32, F(1, 570) = 10.08, p < .001. Vicarious experience did not significantly predict efficacious beliefs. See Table S3 (included with the online version of the article) for regression data.
Based on prior research concerning teachers’ career stages (Day & Gu, 2007; Huberman, 1989), participants were assigned to one of three groups depending on their years of concert band teaching experience: (a) early career (1–7 years, n = 206), (b) midcareer (8–23 years, n = 263), and (c) late career (more than 23 years, n = 139). Efficacious beliefs were then analyzed among career stages. Because Levene’s F test revealed the homogeneity assumption of variances was not met (p = .014), the Welch’s F test was used. Results of a one-way ANOVA indicated a significant, large effect of career stage on self-efficacy for teaching strategies, Welch’s F(2, 365.72) = 71.45, p < .001, η2 = .18. Post hoc comparisons using the Games-Howell procedure for unequal variances indicated that late-career band directors (M = 36.39, SD = 3.77) had significantly higher self-efficacy (p < .001) for teaching strategies than midcareer (M = 34.56, SD = 4.57) and early-career directors (M = 31.21, SD = 4.39), with effect sizes (d) of .44 and 1.27, respectively. Additionally, midcareer directors had significantly higher self-efficacy than early-career directors (p < .001, d = .75).
I conducted multiple-regression modeling to examine how the influence of each source on BDSETS differed by career stage. Bootstrapped samples were again used following a violation of the normality assumption. Mastery experience was the strongest predictor of BDSETS at all career stages (p < .05). Verbal persuasion also was a significant predictor of BDSETS at each career stage, whereas physiological state significantly predicted midcareer directors’ efficacy. Vicarious experience did not significantly predict efficacious beliefs for any career stage. See Table S3 (included with the online version of the article) for career stage regression data.
In order to compare the self-reported effective-teaching-skills scores between higher-self-efficacy directors (n = 305) and lower-self-efficacy directors (n = 300), I split the sample at the median BDSETS score (Mdn = 34.50). The number of participants in each group differed due to incomplete data on effective teaching skills. Comparisons were made using independent-samples t tests with a Bonferroni adjustment due to multiple comparisons. All paired samples violated the equal-variances assumption; therefore, equal variances were not assumed. Results indicated that all comparisons between these two groups of directors were significant (p < .001) with effect sizes greater than d = .55. The largest disparity between the higher-self-efficacy group and the lower-self-efficacy group was their self-reported effectiveness to “present a lesson with clarity,” t(559.70) = −12.25, p < .001, d = .99, followed by “motivating students,” t(560.65) = 11.31, p < .001, d = .92. The smallest effect size found was for “frequently making eye contact with students,” t(555.53) = −6.90, p < .001, d = .56. See Table S4 (included with the online version of the article) for complete t test results for effective teaching behaviors.
Discussion
The purpose of this study was to investigate self-efficacy for teaching strategies among high school concert band directors and its sources. Directors’ self-efficacy for teaching strategies were influenced most by mastery experiences, followed by verbal persuasions, physiological state, and vicarious experiences, in order of importance. These results are similar to those from previous studies in general education (Lent et al., 1991; Usher & Pajares, 2006) and music settings (Hendricks, 2014; Zelenak, 2015). Bandura (1997) believed previous successes and failures were powerful predictors of self-efficacy. In educational settings, these experiences may be even more important due to the reciprocal nature between students’ relative success creating new mastery experiences for teachers that can impact efficacious beliefs (Tschannen-Moran & McMaster, 2009; Woolfolk Hoy & Davis, 2006). Teachers that acquire successful mastery experiences likely improve their opportunity to receive positive feedback, resulting in greater confidence and efficacy for concert band teaching tasks.
Participants who reported greater self-efficacy for teaching strategies also rated themselves as more confident for using effective teaching skills. Higher- and lower-efficacy groups’ teaching-skills scores differed the most for “presenting a lesson with clarity,” suggesting the perceived difficulty level of the skill. Scores for “motivating students” and “maintaining student behavior,” both highly valued skills for successful teaching among music teachers as reported in previous studies (Miksza et al., 2010; Teachout, 1997), also differed significantly between efficacy groups. Higher-efficacy teachers reported higher scores on skills associated with teacher intensity, including “maintaining classroom management,” “maintaining an effective rehearsal pace,” and “presenting a lesson with clarity” (C. Madsen et al., 1992). Intensity behaviors were indicative of effective teaching in examinations of preservice elementary teachers (Cassidy, 1990), in-service elementary teachers (K. Madsen, 2003), and instrumental student teachers (C. Madsen et al., 1992). Efficacious directors may feel confident in their ability to improve student performance by applying effective pedagogical strategies specific to their learners’ needs while motivating and controlling student behavior. Improving skills and behaviors for which directors feel less confident could improve their self-efficacy and enable them “to set higher goals for themselves and others . . . and learn new methods that contribute to higher student achievement” (Ross, 1998, p. 58). Videotaping rehearsals, receiving peer or mentor feedback, or asking students about their learning needs could provide insight for directors’ identification of skills that need improvement (Powell, 2016).
BDSETS scores were associated with experience level. This result is consistent with previous findings among K–12 music teachers (Wagoner, 2011) and instrumental and vocal teachers (Biasutti & Concina, 2018). The larger difference in efficaciousness between early- and midcareer directors than between mid- and late-career directors supports Bandura’s (1997) theory that efficacious beliefs are most impacted at the beginning of development and may be resilient to change once established. Therefore, it seems important to identify experiences that affect early-career directors’ self-efficacy due to the lasting impact that beliefs have on teachers’ motivation and confidence (Klassen & Chiu, 2010). Early-career directors’ self-efficacy was best predicted by their mastery experiences and verbal persuasions based on the results of the current study. Consistent with previous recommendations, this result supports novice teachers’ need for pedagogical and psychological mentorship and resources as they gain mastery teaching experiences (Koerner, 2017; Tschannen-Moran & Woolfolk Hoy, 2007). Specifically, mentorship in the form of “regular meetings, mutual observations, and formal and detailed teaching evaluations over multiple years” (Koerner, 2017, p. 206) may support the efficacy of early-career directors. Fostering the self-efficacy of early-career directors could improve their professional commitment and identity (Wagoner, 2011) and could result in less teacher attrition and migration (Hancock, 2008).
Verbal persuasions for specific mastery experiences may be particularly helpful for directors who seek to improve their self-efficacy for teaching strategies. Researchers have reported that the qualities of feedback can change the influence of others’ persuasions. For example, receiving feedback early in the learning process and after successfully performing a task can be important to efficacious beliefs (Schunk, 1984). However, improvements to self-efficacy from feedback can fade if effort does not produce desired results (Schunk & Zimmerman, 2007). Furthermore, feedback that is unspecific or seemingly insincere may not have a lasting impact on self-efficacy, whereas support from respected individuals when trying new pedagogical strategies can provide the encouragement for directors to persevere when teaching becomes difficult (Bandura, 1997). Hancock (2008) found that support from administrators and parents related with music teachers’ classroom efficacy. Similar investigations of concert band directors’ classroom efficacy and support systems could reveal relationships with teaching approaches in the rehearsal hall. Other examinations into perceived quality of colleague and community support (Tschannen-Moran & Woolfolk Hoy, 2007) might improve our understanding of how verbal persuasions influence directors’ willingness to implement new pedagogical strategies and efficacious beliefs for teaching.
Among the three career stages, physiological state had a significant relationship with midcareer directors’ self-efficacy only. Midcareer concert band directors—who have chosen to remain in the profession—likely have experienced impactful teaching episodes and received meaningful feedback, resulting in a strong physiological state. However, results of the current study indicated that the influence of physiological state on self-efficacy was not significant as directors continued to teach, possibly due to declining professional motivation and enthusiasm (Day & Gu, 2007). Huberman (1989) suggested that late-career-stage teachers experience a sense of serenity, where a lack of enthusiasm and energy is compensated with having a greater sense of confidence and self-acceptance, followed by a period of disengagement at the very end of their careers. Rather than being impacted by their physiological state, late-career directors’ beliefs were predicted by a long career of impactful teaching experiences and the verbal persuasions of others. However, directors who lack motivation and enthusiasm for teaching, or maybe have anxiety or stress, may need to address professional expectations (Schwarzer & Hallum, 2008) or feelings of imposter phenomena (Sims & Cassidy, 2018). Acknowledgement of imposter feelings (Sims & Cassidy, 2018) or meditation practices (Diaz, 2018; Roeser et al., 2013) have the potential to improve concert band directors’ physiological state and thus may improve efficacious beliefs for teaching tasks, especially among midcareer directors, when such influences are most impactful.
Although vicarious experience had a small, significant correlation with efficacious beliefs and moderate correlations with the other sources of self-efficacy, it did not significantly predict directors’ self-efficacy for teaching strategies. Other findings have indicated that vicarious experiences had little impact on general education teachers’ self-efficacy (Guskey, 1989; Joyce & Showers, 1988). Observational experiences are often part of workshops or graduate course work, but the results of this study suggest such experiences may need to be supported by other efficacious sources. For example, undergraduate observational experiences have been found to impact preservice teachers’ beliefs, most notably when experiences are structured and students have the opportunity to share their findings with classmates (Prichard, 2017). Conway (2012) suggested that teacher educators should provide students with contextual guidance and support during observations. Bandura (1997) also stressed the importance of having a growth mindset during observations of peers—rather than a competitive one—to maximize the potential benefit from such experiences. Support and structure for in-service directors that is similar to those found in preservice course work, while focusing on positive pedagogical strategies and professional attributes, could provide positive feedback and reflective practice that develops pedagogical efficacy. Allowing time for observers and model teachers to discuss pedagogical strategies utilized in rehearsals may increase observers’ confidence to apply new ideas in their own classrooms. Further support could be provided by having directors share videos of their teaching with mentor teachers in order to receive further guidance (Bautista et al., 2019).
Findings from this study suggest that developmental experiences may need to be evaluated to determine if they effectively impact concert band directors’ self-efficacy. Directors frequently participate in professional development workshops in which clinicians provide pedagogical strategies; however, results have indicated that such persuasions rarely make a lasting impression on efficacious beliefs (Guskey, 1989; Tchannen-Moran & McMaster, 2009). Because mastery experiences are often the most predictive source of self-efficacy, workshops that include the opportunity to conduct ensembles with support and feedback from expert pedagogues could improve the impact that developmental experiences have on self-efficacy. Additional feedback sessions after workshop participation may increase the likelihood that teachers implement new teaching strategies in the classroom (Dolloff, 1996). These developmental approaches also would appear to transfer to graduate course work settings. Identification of course work that includes support for pedagogical strategy implementation, especially in settings where participants feel less efficacious, could improve teachers’ confidence, effectiveness, and student achievement. Informal learning with colleagues also can improve teaching confidence. Tschannen-Moran and Johnson (2011) reported that general education teachers’ participation in book clubs or teachers-as-readers groups related to feelings of confidence for engaging students in learning. Perhaps similar informal learning environments could provide experiences that influence directors’ self-efficacy for teaching, such as community music ensembles or chamber groups with peers.
The generalizability of this study is limited by the population that was surveyed and response rate. Care should be taken when transferring the experiences of concert band directors to teachers of other band settings or choral and orchestra instructors. Although attempts to reduce response bias were made by ensuring participant anonymity throughout the survey, the sample of the current study may have reported higher self-beliefs than what might be expected among the actual population (Miksza & Tan, 2015). Results indicated that mean scores for self-efficacy and its sources were negatively skewed and the normality assumptions were not met. These results were accounted for by using robust tests to the normality assumption. Furthermore, effect sizes between higher-efficacy and lower-efficacy groups were large, suggesting that directors reported their beliefs honestly.
Concert band directors’ self-efficacy is influenced not only by previous experiences and the physiological state associated with a presented task but also by numerous contextual factors, such as personal and school demographics, content knowledge, and competence for a task (Usher & Pajares, 2008). Examinations into the influence that these factors have on directors’ self-efficacy for teaching strategies could further our understanding of their beliefs. Considering that previous research results have indicated efficacious sources may influence females differently than males (Hendricks, 2014; Usher & Pajares, 2008), attention should be given to the role of gender. Other variables to consider include the quality of preservice and professional development experiences, administrative support, job stress, and imposter feelings, as these have been found to affect the beliefs of teachers of varying levels and disciplines. Exploring how efficacious beliefs also influence music teachers in orchestra, choral, or general music settings will allow for meaningful comparisons across groups of teachers. Results might further our understanding of how music teachers with different specialty areas develop at the preservice and in-service levels and could lead to music education classes and workshops that impact efficacious beliefs for all music teachers.
The results of this study indicated that self-efficacy and the influence of its sources may change across time, in addition to strong relationships between self-efficacy for teaching strategies and effective teaching skills. As such, it is important that researchers continue to investigate the extent that directors’ efficacious beliefs are influenced by prior experiences and those experiences’ possible impact on teaching behaviors. Extending the current investigation by examining the impact of teachers’ self-efficacy on students’ outcomes seems appropriate. Results could support the development of directors’ self-efficacy as a means for improving students’ motivation, self-regulation, self-efficacy, and performance achievement.
Supplemental Material
Appendices_FINAL – Supplemental material for Examining Relationships Among Concert Band Directors’ Efficacious Sources, Self-Efficacy for Teaching Strategies, and Effective Teaching Skills
Supplemental material, Appendices_FINAL for Examining Relationships Among Concert Band Directors’ Efficacious Sources, Self-Efficacy for Teaching Strategies, and Effective Teaching Skills by Bradley J. Regier in Journal of Research in Music Education
Supplemental Material
Online_Supplemental_Tables_FINAL – Supplemental material for Examining Relationships Among Concert Band Directors’ Efficacious Sources, Self-Efficacy for Teaching Strategies, and Effective Teaching Skills
Supplemental material, Online_Supplemental_Tables_FINAL for Examining Relationships Among Concert Band Directors’ Efficacious Sources, Self-Efficacy for Teaching Strategies, and Effective Teaching Skills by Bradley J. Regier in Journal of Research in Music Education
Footnotes
Author’s Note
This article was part of a project-based dissertation completed at the University of Missouri-Columbia in 2019.
Declaration of Conflicting Interests
The author declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author received no financial support for the research, authorship, and/or publication of this article.
Supplemental Material
Author Biography
References
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