This article1 applies the framework of conceptual integration (or
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several travel narratives by Jonathan Raban. The primary goal of the article is to
show how the analysis of blending strategies used in the text may help in the
recognition of the specific features of a writerâs narrative style. An
extensive discussion of a variety of blends appearing in Rabanâs texts
also serves as a background to the discussion of the relation between choices of
blending strategies and the allocation of narrative viewpoint. It is argued that the
concept of narrative viewpoint crucially relies on the structure of blending
networks. Finally, it is shown how interpretation of viewpoint phenomena in the
narrative builds on the mechanism termed viewpoint compression.
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