I came into the shop quietly.
With the bright sun outside,
it was like entering a cave.
He called it a shop—
table saw, wood plane,
two walls hung with tools.
Women didn’t come in here.
His back was to me,
something broken on the workbench.
He was singing, almost a croaking,
old frog-throat gear screaking
something something Red River Valley.
He swayed a little who never danced,
the man who was a model of how to be a man.
I backed out into the blinding sun
and never told him I heard him sing.
—“Blast Mat,” “Working Graveyard,” and “Notch” reprinted from Living Wages (Tupelo Press, 2014). Copyright 2014 by Michael Chitwood. Reprinted with permission.
