L'Association des Réalisateurs de Films du Québec, 1978, ‘La Culture el Le Cinéma au Québec’, Cinéma Québec, 53 (cited in Barrowclough 1981, 8)
2.
AtwoodMargaret, 1972, Survival A Thematic Guide to Canadian Literature, Anansi, Toronto
3.
BarnouwErik, 1974, Documentary: A History of the Non-fiction Film, Oxford University Press, New York
4.
BarrowcloughSusan, 1981, ‘Introduction: The Dilemmas of a National Cinema’, in Jean-imagine Pierre Lefehvre: The Quebec Connection, ed BarrowcloughSusan, BFI, London, 3–12
5.
BellemareDenis, 1989, ‘Melancholia and the Banal’ [1986, ‘La Melancholia et le Banal’, Dérives, 52), trans Wendy Waring, CineAction!, 16, Spring, 31–39
6.
ClandfieldDavid, 1984, ‘Ritual and Recital: The Perrault Project’, trans Emile Bourree, in Take Two, ed FeldmanSeth, Irwin, Toronto, 136–148
7.
EvansGary, 1991, In the National Interest: A Chronicle of the National Film Board of Canada from 1949 to 1989, University of Toronto Press, Toronto
8.
FarisJames C, 1992, ‘Anthropological Transparency: Film, Representation and Polities’, in eds CrawfordPeter IanTurtonDavid, Manchester University Press, New York, 171–182
9.
FryeNorthrop, 1971, The Bush Garden: Essays on the Canadian Imagination, Anansi, Toronto
10.
HarcourtPeter, 1984, ‘Pierre Perrault and Le Cinéma Vécu’ [1981), in Take Two, ed FeldmanSeth, Irwin, Toronto, 125–135
11.
LefehvreJean Pierre, 1991, ‘Snapshots from Quebec’ [1989], trans. Barbara Easto, in Essays on Quebec Cinema, ed DonohoeJoseph IJr, Michigan State University Press, East Lansing, 75–88
12.
National Film Act (1950) R S, c N-7, s 9
13.
NelsonJoyce, 1988, The Colonised Eye: Rethinking the Grierson Legend, Between the Lines, Toronto
14.
MorrisPeter, 1984, The Film Companion, Irwin, Toronto
15.
PratleyGerald, 1987, Torn Sprockets: The Uncertain Projection of the Canadian Film, University of Delaware Press, Newark
16.
Sami-Ali, 1980, Le Banal, Gallimard, Paris, 79 (cited in Bellemare, 1989, 37)
17.
The Battleship Potemkin, 1925, Sergei Eisenstein, USSR
18.
Chronique de la Vie Qotidienne (series of eight films: 1 Dimanche – Granit, 2 Lundi – Une Chaumière, Un Coeur, 3 Mardi – Un Jour Anonyme, 4 Mercredi – Petits Souliers, Petit Pains, 5 Jeudi – À Cheval sur l'Argent, 6 Vendredi – Les Chars, 7 Samedi – Le Ventre de la Nuit, 8 Le Plan Sentimental) 1977–1978, Jacques Leduc, NFB, Canada
19.
Film as Ethnography Candid Eye (television series: The Days Before Christmas 1958, Country Threshing 1958, Blood and Fire 1958, A Foreign Language 1958, Pilgrimage 1958, Police 1958, In Memory of Summer 1958, I Was a Ninety-Pound Weakling 1959, End of the Line 1959, The Back-Breaking Leaf 1959, One Third Down, Twenty-Four Months to Pay/The Cars in Your Life 1959, Glenn Gould: On the Record 1959, Glenn Gould: Off the Record 1959) 1958–59, NFB Unit B, executive producer Tom Daly, Canada
20.
Has Anybody Here Seen Canada?: A History of Canadian Movies 1939–1953, 1978, John Kramer, NFB/CBC, Canada
21.
Jésus de Montréal, 1991, Denys Arcand, Canada
22.
Le Règne du Jour, 1966, Pierre Perrault, NFB, Canada
23.
Lèolo, 1993, Jean Claude Lauzon, NFB, Canada
24.
Les Racquetteurs, 1958, Gilles Groulx and Michel Brault, National Film Board, Canada
25.
Les Voitures d'Eau, 1968, Pierre Perrault, NFB, Canada
26.
Louis Dix-Neuf: Le Roi des Ondes, 1994, Michel Poulette, Canada/France
27.
Pour la Suite du Monde, 1963, Pierre Perrault and Michel Brault, NFB, Canada
28.
Thirty-Two Short Films About Glenn Gould, 1993, François Girard, Canada
