Abstract
A poem concerning the haptic indices and aftermaths of death and memory, for a special issue on Touch.
1. Floccilation
Saw you last
pulling threads from air
plucking at the buds
and bolls of cotton
blankets for a time
or place, shuffling
your knees up, down, up
to reconsider presences
smoothing percal sheets
rubbing soapbox orator thumbs
close along the hems
of your thin gown. this is here as far as I go and this is the end of the cloth, all there is, cubit and ell, arm’s length no extraordinary measures
blue-blackened wrists held
by short gauze leashes
you wondered at, the white reins, itches and openings at my center, rough patch just about my heart --must be making ready for some other animal season-- can’t talk now
you said last when I called; must be very still.
Roger? Roger? I am being very still now,
you said; there is a work to be done.
2. Touchstone
At ninety and some change
you are no larger than a breadbox.
Clearing things up at the Fountain
Guest home, I carry you off
in antique tin, oven-baked Wheat Heart, Be Sure To Ask For Us By Name:
wedding license, copyrights, dark socks
in loose fists, tales of great birds
and births, ancient tapes (Caruso lost and gone)
crumbling pesos, a Loosiana dollar
and a deep red Persian prayer rug dark and soft
as a familiar sleep.
Walking to the bus, bag ladies, pickpockets,
briefcase men watch me pass, feigning
disinterest. Every one of them knows
these days there are no sandwich loaves
in breadboxes, this must be Wonder
stuff, the real thing, leavening, the staff of life.
I hug the tin, run my fingers down the all-purpose
gray utility tape while the County scatters your ashes
in pauper’s waves somewhere off Long Beach
harbor. Home, I set the box on my counter
in the kitchen, do not open it
for weeks. Have not yet opened it. I know
what’s inside. I know after all what is
inside. I do. I know.
