Abstract

Tiziana Terranova's After the Internet: Digital Networks between Capital and the Common is a provocative intervention that critically reframes the trajectory of digital networks over the past two decades. The book's central argument is powerful: what we once called “the internet,” an open, decentralized, collaborative, much more “Wikipedia-like,” has been fundamentally subsumed by capital. That is, it has become part of capitalistic's logic and operation. To describe this transformation, Terranova introduces the concept of the Corporate Platform Complex (CPC), a system in which a handful of tech giants (Google, Meta, Amazon, Apple, and Microsoft) dominate not only digital infrastructure, but also the very forms of subjectivity, labor, and capital production online. As humans interact with these platforms, they produce value, which is then appropriated by the platforms, reinforcing a new and more complex form of labor alienation in the Marxist sense. What emerges is a sharp and very relevant critique of how capitalist logics, such as, for example, data extraction, surveillance, and financialization, reshape our communicative environments as spaces of continuous extraction of value by Big Techs. Starting from a wide range of theoretical influences, from Marxist political economy and Italian post-workerism to cybernetics and affect theory, Terranova argues that platforms don’t simply mediate social relations; they actively reconfigure the social itself under the imperatives of capital. The book is organized into five theoretical chapters and two more experimental sections at the end. Each chapter addresses the central dynamic from a different angle. The first chapter, on financialization and Web 2.0, discusses how digital platforms emerged in the aftermath of the dot-com crash and were rebuilt through the extraction of free labor based on user participation. This chapter is especially important, as it shows platforms not as inevitable technological developments, but as the result of specific political-economic context and historical conditions: venture capital, startup culture, and financial speculation. This is key to understanding the arguments that follow.
The second and third chapters explore the attention economy and cognitive capitalism, reflecting on how platforms intervene directly in our mental and emotional lives. The critique of behaviorist interface design and the pathologies of engagement—from constant connectivity to the spread of disinformation—is key to several current debates, such as, for example, how platforms impact mental health. These sections make it clear that the CPC doesn’t only shape what we do online, but also influences how we think, feel, and relate to one another. Chapter four explores alternatives to dominant digital architectures, imagining how automation and algorithms might be reclaimed for collective, commons-based purposes. It creates the conditions to think beyond critique and toward construction—imagining infrastructures grounded in cooperation and solidarity rather than profit. The commons, thus, constitute an alternative perspective to her critique, an almost possible alternative horizon.
The fifth chapter takes a more philosophical turn, introducing Terranova's concept of neomonadology. Here, she reimagines the platform subject as a kind of computational monad—which is a self-contained, datafied point of view shaped by algorithmic modulation. This chapter is more speculative and offers a compelling framework to think about how we (as subjects) are shaped by platform logics. The final two sections, Foreword to Project 2501: The A.I. Speech and the piece itself, move away from the analytical structure of the previous chapters and enter a more speculative mode. Drawing on cyberpunk aesthetics and AI imaginaries (the title “Project 2501” references the sentient AI from Mamoru Oshii's anime Ghost in the Shell), these texts imagine the voice and agency of artificial intelligence from within. While somewhat detached from the main body of the book, these sections offer a different contribution: they speculate on what emerges when human and machine forms of intelligence, memory, and power become inseparable. In that sense, they echo the “neomonadological” perspective of the final chapter and extend it into a future-oriented thought experiment.
Terranova's book is strong, but also a challenge for readers. Although each chapter stands well on its own, there is some disconnection between them. This likely comes from the fact that much of the material was originally written as standalone essays over the course of several years. As a result, the book often reads more like a collection of theoretical interventions than a unified argument. There are important resonances and overlaps, though. Some of the most interesting insights, such as the speculative tension between platform capitalism and the digital commons, appear in different registers across chapters but aren’t fully developed in dialogue with one another. This fragmentation doesn’t undermine or lessen the importance of the book, but it does make it harder for readers to fully grasp the richness and sophistication of Terranova's critique. At times, the complexity of the theoretical references (e.g. Leibniz discussion on geometrical formalization applied to networks), combined with the absence of stronger connective framing, risks distancing readers who are not already familiar with the debates she engages.
Still, After the Internet is a vital and necessary book, and not only for academics, but for anyone seeking a deeper critique of platforms and digital capitalism. It offers a much needed criticism while also gesturing toward ways of resisting platform dominance, grounded in the commons and cooperation. Despite its structural looseness, it rewards close reading and offers critical tools for rethinking what digital platforms are—and what they could become. Even further, the book's importance resides in the central general idea that platforms capitalize on social structures and social interaction and through this, they change how we think, feel, and see reality.
Footnotes
Declaration of conflicting interests
The author declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding
The author received no financial support for the research, authorship, and/or publication of this article.
