Introduction
1.1 The Queer Diaspora workshop at Manchester University in May 2007
broke ground as one of the first academic events on race and sexuality in
Britain.
[1]
Like
many wider queer studies events, however, it ended in a debate over what we actually
meant by ‘Queer’. We had just listened to a thought-provoking panel that explored
the queerness of popular singer MIA and artist Aneesh Kapoor, both presumably
‘straight’ people of South-Asian origin (Patel 2007, Gill 2007). Harjant Gill's
discussion of MIA (‘Missing In Action’), some of whose video clips we had seen
together, particularly resonated with me. Gill's queering of MIA's ‘neon, mismatched
outfits’, ‘parodied hyperfemininity’, ‘awkward pastiche’ of a (failed) Bollywood
dancestyle, mixing of Tamil and English, and African American linguistic styles,
militant transnational anti-imperialism, and aggressive heterosexual agency, spoke
to me and moved me.
1.2 This feeling of connection was not merely on a racial level. It was
sexual and gendered, albeit in ways which were deeply raced. MIA's self presentation
resonated with my queer sensibility, that hard-to-locate space in your gut which
recognises certain rare timbres and laps them up and echoes them on. A
female-assigned, male-identified person of Southeast Asian descent, I felt kinship
in MIA's excessive, ‘camp’ femininity, and related to her across differences of
gender, sexuality and ethnicity. MIA's radically anti-racist and anti-imperialist
lyrics fulfilled a specifically queer of colour yearning in me - for in-your-face
brownness in public space, for imagined community in walking the tightrope of
diasporic respectability and sexual agency, anti-racism and queer activism.
1.3 This queering of racialised
[2]
heterosexualities, however, proved
contentious. In the subsequent, concluding session of the Queer Diaspora workshop,
one participant, whom I read as white, stated with some anger and passion: ‘Queer,
for me, is a specific activism and a specific identity’. I interpreted this as a
reference to the Queer sex radical scenes in the global North, which are, at least
in London, international but nevertheless dominated by white people. Another person,
who was ethnically minoritised, volunteered that her queer was that
of Latina feminist Gloria Anzaldua. Anzaldua (1991) had criticised the emerging
academic ‘Queer’ as a white middle-class discourse. This contrasted with the older
‘Queer’ of the working-class dykes of colour who had been excluded by the
‘respectable lesbians’ who appeared to be the more direct predecessors of the
intellectual postmodern ‘Queer’. This retort interested me, as it appeared to
scandalise both the oppressive absence of racialised participants, and the
oppressive presence of de-positioned, power-evasive race talk, in much of queer
theory and politics. The debate was concluded by the discussant, a queer man of
colour, who offered ‘Queer’ up as a contested concept which could mean many things:
a methodology, a positionality - or even just a way to survive Curry Mile.
1.4 What does ‘Queer’ mean to me, a trans of colour theorist deeply
influenced by anti-racist feminism? I have let the discussion linger with me for
several weeks now, and pull me in contradictory directions. If ‘Queer’ is not an
identity, what kind of a methodology is it? Does ‘Queer’, furthermore, have a
directionality or an ‘orientation’ (Ahmed 2006), not in the sense of an essential
sexual identity but in the sense of a political self-consciousness and awareness?
What is the difference between ‘queering’ from above (e.g. a queer person of colour
queering her heterosexual parents) and ‘queering’ from below (e.g. a non-trans
lesbian measuring transgendered agency against her own standards of queer)? If
‘Queer’ is not an identity, how can it work as a positionality - and what happens to
its progressive claims to coalition and alliance? The urgency of these questions was
enhanced to me by the complete silence at the workshop about transgender. How did my
own evolving trans of colour project fit this definition of ‘Queer’? And how did
South-Asian transpeople negotiate Curry Mile?
[3]
1.5 A queer methodology could be a way of examining and redefining
social relations, both in a traditional sociological sense, and in an emancipatory
sense of reframing difference with a view to social change. These two senses have
been combined in some strands of the academic methology debates, particularly
anti-racist feminism. The anti-racist feminist principle of positionality contains
especially rich impulses for queer methodologies, which have so far neglected the
question of difference (Haritaworn et al, forthcoming). The call to positionality
urges us to reflect on where we stand, to define our speaking positions and how they
relate to others, especially those whom we claim speak for. This would help us avoid
colonising and appropriative instances of ‘queering from above’. The opportunities
provided by such a queer methodology of positionality are explored with regard to
interview accounts with queer people of Thai descent, which are examined from my own
changing, queer and trans perspective, of a researcher who is her/himself deeply
implicated and invested in these processes of gendering and racialisation.
Queer methodology and empirical research
2.1 The debate at the Manchester workshop over ‘Queer’ reflects wider
concerns over methodology. How can we study ‘Queer’, or indeed, should we? In its
radically deconstructive sense, ‘Queer’ has often been interpreted as inimical to
empirical investigation. This has been reflected in a bias towards philosophy and
the humanities rather than sociology and the social sciences. Queer theorists often
assume a divide between field work?cultural productions on the one hand, and
essentialism?anti-essentialism on the other. As Sel Hwahng, the American trans of
colour theorist, argues, this dichotomy is often enforced in contradictory ways. For
example, Jenny Livingston's film Paris is Burning (1991) about
Black and Latino gay men, drag queens and trans people of colour in the Harlem
house/ball scene, was widely received and discussed among queer theorists as though
it gave privileged insights into the realities of the depicted queer and trans
people of colour.
[4]
It's been more than 15 years now since that film came out and people are still
discussing the very few characters filtered through Livingston's gaze instead of
gathering empirical data themselves on this population. If we need to ‘touch’
these subjects of color through the white gaze, what is prohibiting us from
touching/interacting/connecting with them ourselves? (Hwahng 2005, personal
communication).
2.2 This contrasts with Judith Butler's discussion of the film in
‘Gender is burning’ (Butler 1993). Butler is, of course, probably the most prominent
proponent of a textual, non-empirical analysis. However, and ironically, it was her
implicit acceptance of the film as an ethnography which presented the biggest cause
of concern for her critics (hooks 1992, Prosser 1998). In fact, she discussed the
film as though it allowed her to ‘recognise’ the queer and trans people in this
scene. Prosser (ibid) in particular criticised how Butler compared and judged their
subjectivities, partner choices, and bodily choices and self-determination in terms
of their greater or lesser queerness or ‘transgressiveness’. According to Prosser,
Butler's ‘inclusion’ of trans identities under the queer umbrella caused particular
epistemic violence to the participating working-class MTFs of colour, Venus
Xtravaganza and Octavia St. Laurent, whom Butler represented as gay men who merely
wanted to pass as heterosexual. Prosser directly linked this misrepresentation to
Butler's failure to position herself and the filmmaker to privileges around
whiteness, class, and non-transness, which gave them the material and discursive
power to exclude the depicted working-class trans women of colour from an agentic
and authentic femininity. In his discussion, he consequently warned
against queering trans subjectivities from above:
One wonders to what extent this queer inclusiveness of transgender and
transsexuality is an inclusiveness for queer rather than for
the trans subject: the mechanism by which queer can sustain its very queerness -
prolong the queerness of the moment - by periodically adding subjects who appear
ever queerer precisely by virtue of their marginality in relation to queer
(Prosser 1998: 40).
2.3 This points to the indispensability of positionality for a queer
methodology. The question of positionality has been central to the feminist and
anti-racist methodology debates of the 1990s. According to Seidman (1996), queer
methodologies, while traditionally single-issue, have also been influenced by these
debates in the form of what has become known as the women of colour and queer of
colour critiques (ibid: 10). The anti-racist feminist focus on positionality, as
Hwahng has argued above, can give empirical researchers advantages over filmmakers
such as Livingston, whose realistic and seamless ‘documentations’ frequently come
across as objective descriptions of minoritised lives. In contrast to this
disembodied, depersonalised fly-on-the-wall view from nowhere (Haraway 1990), an
empirical project which takes seriously the question of positionality can enable us
to directly ‘touch/interact/connect’ with our subjects, in ways which are less
exploitatitve, less objectifying, and more politically relevant.
2.4 Emancipatory methodologies treat knowledge as negotiated between
researchers, subjects and epistemic communities (e.g. Ramazano?lu und Holland 1999).
This means that researchers should treat our relationships with our topics and
subjects as interesting sources of data in themselves (e.g. Harding 1991, Bhavnani
1993). Participants are not merely raw, pre-theoretical sources of ‘experience’, but
active producers of their own interpretations, which compete with those of the
researcher. Nevertheless, this competition does not occur on a level playing field,
and the researcher has the last word at the stage of analysis (Phoenix 1994). This
renders it necessary to reflect on and make our part in the narratives visible,
which do not emerge from a social vacuum (Bhavnani 1993). How we arrive at our
sample, what questions we ask of our participants, how they respond to these
questions, which parts of our co-produced dialogue we extract, and how we edit and
interpret them, are at least as much a function of our own positionings as those of
our interviewees. As many feminist methodologists themselves have recognised (Stacey
1988), this ultimately limits the emancipatory claims which we can make about our
research.
2.5 For my study of Thai multiracialities in Britain and
Germany,
[5]
this
has meant resisting my invitation to become the objective, all-knowing expert who
dissects hir
[6]
subjects
from above and is not hirself implicated in the investigated processes of
racialisation, sexualisation and gendering. On a practical level, this has meant
placing remembered events from my life beside those of the interviewees (Stanley
1992). Following anti-racist feminist researchers such as Ann Phoenix (ibid) and
Kum-Kum Bhavnani (ibid), I have attempted to stay alert to the effects of both
difference and similarity on all stages of the research, including during the
design, formulation of aims and topic guides, sampling and recruiting, data
collection, and interpretation. In this, I have found particular inspiration in
Sandra Harding's (1991) suggestion that it is possible and necessary to attempt the
forging of emancipatory knoweldges that are both resistant (to our own oppression)
and allied (against other people's oppression).
2.6 My efforts were complicated by my shifting positionings in terms of
gender and sexuality, and the contradictory directions in which this moved my
research design, dialogues and interpretations. At the stage of the design, I
identified as a queer woman of colour. I was aware of my bisexuality, but also in a
long-term relationship with a South-Asian butch lesbian which we both perceived of
as same-sex. I had naturally heard about transness but did not apply this to my own
experiences of discomfort with my female-assigned gender. Nor did I relate it to my
restlessness on this uncomfortable ‘chair’, and my frequent shifting and switching
between a feminine, masculine and androgynous gender presentation.
[7]
2.7 My lack of awareness about transgender and transsexuality was
reflected in my research design. While preparing for an exploration of Thai
multiracialities which were diverse in terms of class, generation, parentage and
sexuality, my research aims, questions and sampling methods were not designed for a
world inhabited by transpeople, whose gender identities are different from the
gender they were assigned at birth, and genderqueer people, who reject binaried
gender identities as exclusively male or female. Given this gaping hole, it should
come as no surprise that a single interviewee volunteered to discuss hir own
(questioning) gender identity, and only after I had volunteered to switch off the
tape recorder. I myself did not ask participants about their transness or
non-transness. My own non-trans identification and my silence about transphobia must
have made it difficult for other trans or gender questioning people to open up this
topic by themselves.
2.8 This contrasted with the ease with which some non-trans participants
aired their transphobic views. One example for this was ‘Yasmin Murtada’
[8]
, a young non-trans
heterosexual woman of Thai and West-Asian parentage in London, who seemed happy to
participate in humour against Thai transsexual women. She laughingly quoted a friend
as joking ‘You have a lot of she-males’, and said that she did not find the joke
offensive. This joke reflects the hypervisibility of trans-femaleness in
pathologising discourses on Thainess. It throws into question a single-issue
identity politics which struggles for ‘positive representations’ that are purified
from embarassing sexual margins: a Thainess which is free from transvestites, gay
boys and prostitutes. This diasporic ‘imagined community’ (Anderson 1983) bears
uncanny resemblances to an ‘LGBT community’ which long imagined itself as free from
trans people, genderqueers and promiscuous perverts. This is exemplified by the work
of Silvia Rivera (2002), the Latina drag queen who fought in the Stonewall riot –
commonly regarded as the birthday of queer activism. However, the movement which she
helped co-found would disown her for most of her life. Dean Spade, the founder of
the Silvia Rivera Law Project, therefore describes this movement as ‘LGB-fake-T’:
lesbian, gay, bisexual and only supposedly transgender (Spade 2004). How do these
exclusions challenge our queer methodology? How can we bring differential
positionings into community with each other without causing epistemic violence? Is
it possible, even, to queer my own fumblings with gender at the prior stages of
designing and conducting my research at this current time of writing?
Queering Thai sex work?
I don't deny it, I laugh about it, I joke about it. I just say (puts on
camp voice) ‘Oh gawd!’ You know, like my friends will say ‘Oh,
yeah, Phil and his podium dancing.’ I say (camp voice): ‘Yeah,
I got it from my mother, she was a whore.’ (We laugh) And it's
okay, because … and they're quite shocked the fact that I've just said that. But
yet because I, I've accepted it, and I haven't got any qualms about … that side
of it, I'm not embarrassed any more, I'm old enough to be able to choose my
friends, to be able to accommodate that background.
3.1 This is how ‘Phil Taylor’, a gay man of Thai and white parentage in
his mid twenties, described his negotiation of prejudicial reactions to his mother's
former work as a sex worker. While Phil did not directly describe this negotiation
as a ‘Coming Out’, I heard strong ‘Coming Out’ overtones in his statement. His words
triggered contradictory thoughts and emotions in me, which must be contextualised
with my own, changing relationship to the topic of sex work. How is my hearing
shaped by my own perspective as the female-assigned child of a middle-class migrant
Thai father and a middle-class white German mother, who was nevertheless perennially
asked whether my mother was Thai (read: a prostitute)?
[9]
As a queer person who later came to
experience sex work as a legitimate, albeit stigmatised form of work? Or as a
currently ‘trans-fag’-identified person who embraces Camp as a strategy to home his
mixed gender expression and female socialisation with his male gender identity? And
how was Phil's choice of a queer grammar to communicate to me the way in which he
negotiated his heterosexual mother's former sex work with his gay male friends
influenced by his knowledge of my queerness following our mutual coming out during
our first meeting?
3.2 My questions aim to put into productive tension my attraction to a
queer discourse for sharing experiences and interpretations - and the temptation,
which I observe in fellow queer scholars, to indiscriminately queer all kinds of
differences around gender, sexuality and even race - with the continued need for a
queer positionality which can tell the difference. I would argue that Phil's use of
a coming-out narrative which moved him from shame to pride about his background did
not imply his sameness with his friends, his mother, or even me. On the contrary, it
communicated his difference, albeit in a repertoire which his gay friends and I (as
a queer witness) understood. It highlighted the continued importance of telling
differences in queer space itself - the podium dancing which did not (only) mean
gay, the flaunted uber-femininity which did not (only) mean camp;
but also whore. Phil's quotation of a queer language towards his friends and me
worked precisely to ‘share what was not shared’
[10]
: Pride not in gay sexuality, but in
genealogy from a mother who might have done podium dancing not to express her
sexuality but to make a living.
3.3 Phil's discourse queered not only his negotiations with his white
gay, non-sex working friends, but also with his Thai heterosexual, formerly
sex-working mother. However, I did not understand this to be a queering
of his mother, who, as became clear in other parts of the
interview, did not evaluate his sexuality and her former profession as comparable or
even ‘queer’. In fact, he shared how his mother was struggling at the time of the
interview to come to terms with his sexuality. Phil had not, to my knowledge, done
sex work himself, nor did he mix in radical queer scenes which treat sex workers as
a ‘queer’ sexual minority (e.g. Rubin 1993, Nagle 1997).
[11]
3.4 Nor did Phil position himself and me as equally queer. He left me in
no doubt that there was a difference between my experience of assumptions that my
parents must have met during sex work, and his lived experience with parents who had
in fact met during sex work.
Jin: I would like to share some of the knowledge with, you know, coz I think it's
important to raise awareness about, you know, part-Thai families, (Phil:
Sure.) not many people know a lot about part-Thai families I think.
Or if they think they know something it's often (P: It's
negative) it's negative.
Phil: It's very negative. Oh, you're father's English, oh is your mother, you
know, working in a brothel?
J: Yeah, yeah.
P: It's a typical, true story. You know, you see it all the time, and it's so
obvious in Thailand as well. Even though they respect a mixed-race child, they
still think ‘Well, what's the background? Is his mother a whore?’
3.5 This exchange, which occurred early on in the interview, clearly
illustrates how Phil's choice of a queer grammar did not imply that unlike
positionings could be collapsed into a single queer space. Rather, I understood his
deployment of the identity narrative with which our shared imagined community had
equipped us (Plummer 1995) to be strategic and self-conscious. By using a discursive
repertoire which I grammatically understood, he enabled me to translate his
negotiations with gay spaces, diasporic spaces, and family into my own world view.
This was partly informed by my sharing of some of these spaces, but also shaped by
my different location within them. I interpreted the way Thainess, mixed race, sex
work, and queer sexuality emerged in Phil's account as intersecting but irreducible
realities which could be situationally translated between queer subjects, but never
fully captured through an undifferentiated queer discourse alone.
3.6 What insights do my past conversation with Phil, and my current
revision of it, open up for our queer methodology? At this moment of writing, I am
aware of a strong temptation to re-tell Phil's account through my own lens. This
brings to the fore the methodological challenge of unmuffling marginalised voices
without ‘stealing the words out of women's (and men's, Haritaworn) mouths’ (Reay
1996). It reflects the dilemmas of an emancipatory methodology which is driven by
shared subordination but can nevertheless not do without self-reflexive alliance, as
it bears its own potential for exploitation and appropriation. Anti-racist feminist
methodologists such as Ann Phoenix (1994) have pointed to the greater trust which
marginalised subjects often give to marginalised interviewers in disclosing their
experiences and opinions.
3.7 The need to resist objectifying my participants is pronounced in
this examination of a ‘queer sensibility’, which is hard to define and re-present.
How exactly does one project, perceive, imagine, record, and represent ‘queer
moments’ between queer people?
[12]
I would like to remind both myself and the reader that
the ways in which I have read and remembered Phil's account are deeply coloured in
by my own longings, imaginings and fantasies of ‘queer diaspora’ (Gopinath 2005).
Nevertheless, I want to put Phil's discourse in dialogue with (other) queer of
colour theorists, and argue that it can work as a queer methodology which
communicates the continued need for a queer positionality.
Queering Thai heterosexuals?
4.1 Elsewhere, I have critiqued the privileging of heterosexuality as
Queer's main Other as one single-issue discourse which neglects to fully account for
queer positionality (Haritaworn 2007). In this, I have drawn firstly on Cathy
Cohen's (2005) critique of the Queer Nation manifesto ‘I hate straights’, and her
reminder that Black heterosexualities have historically been targeted through such
practices as marriage prohibitions and forced sterilisation, and secondly on Jay
Prosser's (1998) argument that definitions of heteronormativity in mainstream queer
theory tend to reflect non-trans gay agendas, which ignore the realities of
transsexuals, some of whom are heterosexually identified. Similarly, Thai and other
interracialities have been constructed as dangerous and in need of state control in
their heterosexual rather than homosexual embodiments. Discourses on mail-order
brides, trafficking in women (Ruenkaew 2003, Weisman 2000), and the sexual health of
migrant sex workers are all examples of the survival of eugenicist ideologies of
national reproduction, which also affect disabled, working-class, and other
minoritised heterosexualities (Morris 1996, Skeggs 1997).
4.2 Several of the interviewees shared my solidarity with people of Thai
descent, including heterosexual, gender-conforming people. One such interviewee was
‘Bee Sornrabiab’, a young Berliner who identified as tom. This Thai
gender and sexual identity is semantically borrowed from the English ‘tomboy’ and
bears similarities to the western ‘transgender butch’ (Feinberg 1993).
Bee: When I go out with my women friends, many men go like ‘Yeah, and how much?
How much do you charge? [In English:] How many?’ and stuff.
Jin: They talk to you in English?
B: Yes. Yeah, as if they'd met them on holiday, like ‘Yes, and [In
English:] how many?
I will knock with you’.
J: Like, more to your friends or to you?
B: Nah, to my friends because they dress like, they run around, for me they run
around quite normally. Some say (laughing) they run around with
too much make up. Or really a bit like such women, but still, it's typical. Or
one of them shouts: ‘So, how about a massage?’ Thai massage. And gestures like
this: ‘Hahaha’. Yes, my friends get a lot of sexual harassment. As if Thai women
were only good for one thing.
4.3 As a tom, Bee was not generally sexualised herself
by white men in the street. Nevertheless, she expressed solidarity with feminine
heterosexual Thai women, over whom white men claimed free and unfettered sexual
access. This contrasts with the lack of solidarity which feminine women often report
in white queer scenes, where femininity is frequently equated with privilege (Nestle
1992). The racialised heterosexual femininity to which Bee allied herself, on the
other hand, was not accompanied by patriarchal protection, chivalry and other
non-trans female/feminine privileges. Bee was aware of not only the informal sexual
harassment which her friends experienced in the street, but also the official
exclusion by immigration officials, who treated Thai women as potential sex work
immigrants: ‘Oh, Thai-woman. So what are you planning to do here? Where do you live?
What are your intentions?’
4.4 ‘Watcharin Ekchai’, a non-trans gay man of Thai and German
parentage, highlighted the pathologistion of not only queer people and heterosexual
women of Thai descent, but also of heterosexual men of Thai and other Asian descent.
He interestingly linked this to the gendering and racialising of gay men of Asian
descent in white gay scenes:
Jin: What kind of stereotypes have you come across in German people about
Thainess or Thai people and Thailand itself?
Watcharin: Well, that Thais are especially nice and friendly or laugh a lot. And
that they are really good, like at servicing, serving in restaurants or
(laughs), whatever, stewardesses and stuff, that is always
much appreciated. Um, and then stereotypes or certain ideas that Asian women are
somewhat loose or at least you think that an Asian woman could also be a
prostitute, yes, this idea exists very, very strongly in the German frame of
mind. Um, and that Asian men aren't real men anyway, there is also always this
idea you see. Like ‘They're all little wusses’ and you have to prove it to them.
(we laugh)
J: Prove it to them?
W: Yeah, yeah. That you're a real man.
J: […] Does that also have effects on relationships between white men and Asian
men, you think? Like this idea that Asian men aren't real men?
W: I keep wondering how the roles are distributed between these two. Between
Asian men and European men. Whether that's always influenced by a certain role
distribution. Whether that's always defined the same way, Asian man equals
passive and European man equals active, you know? Which is often the case but
needn't always be like that. Yeah, and somehow I find this quite stupid. But
this is the idea that people have I think. Because they judge according to
physique, according to looks. Like someone who is petite is automatically
passive. You know? That basically every (laughs) second Thai
man is somehow gay. I think this also exists in people's heads.
4.5 Watcharin linked the heterosexism which constructed Thai
femininities (the assumption that all Thai women are heterosexual) with the
homosexism which constructed Thai masculinities (the assumption
that all Thai men are homosexual). Both constructions position Asians sexually and
otherwise at the service of – straight or gay – whites. Like Bee's, Watcharin's
analysis contrasts with a homonormativity (Duggan 2002) which constructs
heterosexuality as our main Other. In the place of a simple heterosexual/homosexual
divide, Watcharin's discourse targets a colonial division of labour which assigned
Asians with servicing positions not only on airplanes but also in bed. This division
also underpins a gay scene which, contrary to its claims to equality, treats
Asianness and femininity as one and the same and inferior (cf. Fung ref, Eng
2000).
4.6 Bee and Watcharin did not unproblematically construct Thai
heterosexualities as ‘queer’. It is arguable that many non-trans heterosexuals of
colour would have little interest in being queered. On the contrary, diasporic
spaces are often characterised by a sexual conservatism and respectability that
cannot be understood outside the legacies of colonialism and slavery, which
disciplined their subjects both physically and sexually, e.g. through the rape of
enslaved women, the concubinage of Asian women, or even the sexualised torture of
Iraqi men during our current regime of imperial war (hooks 1989, Hammonds 1994, Puar
and Rai 2002). In the face of such painful overlaps and differences, how do we
conceptualise a queer methodology which can both tell the difference and ultimately
make a difference?
Conclusion
5.1 I have examined in this article different forms of queering within a
culturally, theoretically and empirically diverse archive. Queering can be a shared
grammar to communicate a shared experience of being treated differently. It can also
be an extension of solidarity to those who are pathologised through gender and
sexuality discourses other than homophobia. It is contextual and situational. I have
used the example of racialised heterosexuality to illustrate how difference can be
re-articulated through a queer lens. The queering of racialised straights by
racialised queers reflects an awareness that all racialised people transgress
dominant gender norms (Cohen ibid, Eng 2000, Ferguson 2003), and that sexual
‘ambivalence’ - desire and disgust - is basic to racialisation (Hall 1990). Yet the
distinct multi-issue inflection of this queering differs from a simplistic collapse
of various positionalities into a single queer space. Queers of colour and other
multiply minoritised queers have little interest in single-issue equations, which
evade real power differences around gender, race and sexuality.
5.2 The queer moments examined here reflect and produce various
re/positionings. Extending queer sensibility to those who are not queer, or
differently queer, can be a way of communing across difference, and of imagining
alternative communities. It can be a grammar to both share and contest knowledges of
Whiteness (of homonormative gays who ‘hate straights’), of heteronormativity (of
diasporic straights who disavow queers), or of sex work (of non-sex working
diasporic people who reduce prostitution to a culturally demeaning discourse). It
can also be a means of re-homing us into our imagined diasporic communities and
fulfilling our nostalgic longings for belonging (Gopinath 2005). My queer
methodology, for example, can help me imagine a racialised community which values
and embraces sexual and gendered agency, where ‘Camp’ includes gay boys as well as
sex workers and FTMs.
5.3 In this instance of writing, I feel a responsibility to own this
imagination as my longing rather than my interviewees’, though some of them may
share aspects of this dream. Jay Prosser's warning against queering from above is
important here. Queering which way? is perhaps the most important question which we
need to take with us on our quest for a queer methodology. My discussion of MIA's
appeal for queers of colour, of prostitute femininity as a model for racialised
Camp, of butch brown solidarity with feminine brown women, and of gay Asian empathy
with straight Asian masculinity, suggests that queering seems to work upwards and
horizontally, situationally and paradoxically. It does not, however, work downwards,
as attested by the many patronising attempts to include people only in order to then
exclude them again as ‘not queer enough’.
5.4 This brings me back to anti-racist feminism, and the queer
positionalities which it has influenced. I would argue that a queer methodology only
works if we know where we stand, where we are trying to go, and whom we are trying
to take with us. In Sara Ahmed's (2006) terms, it requires a critical sexual
‘orientation’ – one which unambiguously embraces a transformative and redistributive
project around multiple forms of exploitation and pathologisation.