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Cultural heritage institutions are exploring Semantic Web technologies to publish and enrich their catalogues. Several initiatives, such as Labs, are based on the creative and innovative reuse of the materials published by cultural heritage institutions. In this way, quality has become a crucial aspect to identify and reuse a dataset for research. In this article, we propose a methodology to create Shape Expressions definitions in order to validate LOD datasets published by libraries. The methodology was then applied to four use cases based on datasets published by relevant institutions. It intends to encourage institutions to use ShEx to validate LOD datasets as well as to promote the reuse of LOD, made openly available by libraries.
This paper presents Casual Learn, an application that proposes ubiquitous learning tasks about Cultural Heritage. Casual Learn exploits a dataset of 10,000 contextualized learning tasks that were semiautomatically generated out of open data from the Web. Casual Learn offers these tasks to learners according to their physical location. For example, it may suggest describing the characteristics of the Gothic style when passing by a Gothic Cathedral. Additionally, Casual Learn has an interactive mode where learners can geo-search the tasks available. Casual Learn has been successfully used to support three pilot studies in two secondary-school institutions. It has also been awarded by the regional government and an international research conference. This made Casual Learn to appear in several regional newspapers, radios, and TV channels.
This paper presents ArtVision, a Semantic Web application that integrates computer vision APIs with the ResearchSpace platform, allowing for the matching of similar artworks and photographs across cultural heritage image collections. The field of Digital Art History stands to benefit a great deal from computer vision, as numerous projects have already made good progress in tackling issues of visual similarity, artwork classification, style detection, gesture analysis, among others. Pharos, the International Consortium of Photo Archives, is building its platform using the ResearchSpace knowledge system, an open-source semantic web platform that allows heritage institutions to publish and enrich collections as Linked Open Data through the CIDOC-CRM, and other ontologies. Using the images and artwork data of Pharos collections, this paper outlines the methodologies used to integrate visual similarity data from a number of computer vision APIs, allowing users to discover similar artworks and generate canonical URIs for each artwork.
With the rising popularity of user-generated genealogical family trees, new genealogical information systems have been developed. State-of-the-art natural question answering algorithms use deep neural network (DNN) architecture based on self-attention networks. However, some of these models use sequence-based inputs and are not suitable to work with graph-based structure, while graph-based DNN models rely on high levels of comprehensiveness of knowledge graphs that is nonexistent in the genealogical domain. Moreover, these supervised DNN models require training datasets that are absent in the genealogical domain. This study proposes an end-to-end approach for question answering using genealogical family trees by: (1) representing genealogical data as knowledge graphs, (2) converting them to texts, (3) combining them with unstructured texts, and (4) training a transformer-based question answering model. To evaluate the need for a dedicated approach, a comparison between the fine-tuned model (Uncle-BERT) trained on the auto-generated genealogical dataset and state-of-the-art question-answering models was performed. The findings indicate that there are significant differences between answering genealogical questions and open-domain questions. Moreover, the proposed methodology reduces complexity while increasing accuracy and may have practical implications for genealogical research and real-world projects, making genealogical data accessible to experts as well as the general public.
As machine learning techniques are being increasingly employed for text processing tasks, the need for training data has become a major bottleneck for their application. Manual generation of large scale training datasets tailored to each task is a time consuming and expensive process, which necessitates their automated generation. In this work, we turn our attention towards creation of training datasets for named entity recognition (NER) in the context of the cultural heritage domain. NER plays an important role in many natural language processing systems. Most NER systems are typically limited to a few common named entity types, such as person, location, and organization. However, for cultural heritage resources, such as digitized art archives, the recognition of fine-grained entity types such as titles of artworks is of high importance. Current state of the art tools are unable to adequately identify artwork titles due to unavailability of relevant training datasets. We analyse the particular difficulties presented by this domain and motivate the need for quality annotations to train machine learning models for identification of artwork titles. We present a framework with heuristic based approach to create high-quality training data by leveraging existing cultural heritage resources from knowledge bases such as Wikidata. Experimental evaluation shows significant improvement over the baseline for NER performance for artwork titles when models are trained on the dataset generated using our framework.
Over the last decade, the Cultural Heritage (CH) domain has gradually adopted Semantic Web (SW) technologies for organizing information and for tackling interoperability issues. Several semantic models have been proposed which accommodate essential aspects of information management: retrieval, integration, reuse and sharing. In this context, the CH subdomain of Conservation and Restoration (CnR) exhibits an increasing interest in SW technologies, in an attempt to effectively handle the highly heterogeneous and often secluded CnR information. This paper investigates semantic models relevant to the CnR knowledge domain. The scope, development methodology and coverage of CnR aspects are described and discussed. Furthermore, the evaluation, deployment and current exploitation of each model are examined, with focus on the types and variety of services provided to support the CnR professional. Through this study, the following research questions are investigated: To what extent the various aspects of CnR are covered by existing CnR models? To what extent existing CnR models incorporate models of the broader CH domain and of relevant disciplines (e.g., Chemistry)? In what ways and to what extent services built upon the reviewed models facilitate CnR professionals in their various tasks? Finally, based on the findings, fields of interest that merit further investigation are suggested.
Graph-based semantic measures have been used to solve problems in several domains. They tend to compare semantic entities in order to estimate their similarity or relatedness. While semantic similarity is applicable to hierarchies or taxonomies, semantic relatedness is adapted to ontologies. In this work, we propose a novel semantic relatedness measure, named
Last years witnessed a shift from the potential utility in digitisation to a crucial need to enjoy activities virtually. In fact, before 2019, data curators recognised the utility of performing data digitisation, while during the lockdown caused by the COVID-19, investing in virtual and remote activities to make culture survive became crucial as no one could enjoy Cultural Heritage in person. The Cultural Heritage community heavily invested in digitisation campaigns, mainly modelling data as Knowledge Graphs by becoming one of the most successful Semantic Web technologies application domains.
Despite the vast investment in Cultural Heritage Knowledge Graphs, the syntactic complexity of RDF query languages, e.g., SPARQL, negatively affects and threatens data exploitation, risking leaving this enormous potential untapped. Thus, we aim to support the Cultural Heritage community (and everyone interested in Cultural Heritage) in querying Knowledge Graphs without requiring technical competencies in Semantic Web technologies.
We propose an engaging exploitation tool accessible to all without losing sight of developers’ technological challenges. Engagement is achieved by letting the Cultural Heritage community leave the passive position of the visitor and actively create their Virtual Assistant extensions to exploit proprietary or public Knowledge Graphs in question-answering. By accessible to all, we mean that the proposed software framework is freely available on GitHub and Zenodo with an open-source license. We do not lose sight of developers’ technical challenges, which are carefully considered in the design and evaluation phases.
This article first analyses the effort invested in publishing Cultural Heritage Knowledge Graphs to quantify data developers can rely on in designing and implementing data exploitation tools in this domain. Moreover, we point out challenges developers may face in exploiting them in automatic approaches. Second, it presents a domain-agnostic Knowledge Graph exploitation approach based on virtual assistants as they naturally enable question-answering features where users formulate questions in natural language directly by their smartphones. Then, we discuss the design and implementation of this approach within an automatic community-shared software framework (a.k.a. generator) of virtual assistant extensions and its evaluation in terms of performance and perceived utility according to end-users. Finally, according to a taxonomy of the Cultural Heritage field, we present a use case for each category to show the applicability of the proposed approach in the Cultural Heritage domain. In overviewing our analysis and the proposed approach, we point out challenges that a developer may face in designing virtual assistant extensions to query Knowledge Graphs, and we show the effect of these challenges in practice.
In recent years, the transdisciplinarity of archaeological studies has greatly increased because of the mature interactions between archaeologists and scientists from different disciplines (called “archaeometers”). A number of diverse scientific disciplines collaborate to get an objective account of the archaeological records. A large amount of digital data support the whole process, and there is a great value in keeping the coherence of information and knowledge, as contributed by each intervening discipline. During the years, a number of representation models have been developed to account for the recording of the archaeological process in data bases. Lately, some semantic models, compliant with the CRMarchaeo reference model, have been developed to account for linking the institutional forms with the formal knowledge concerning the archaeological excavations and the related findings. On the contrary, the archaeometric processes have not been addressed yet in the Semantic Web community and only an upper reference model, called CRMsci, accounts for the representation of the scientific investigations in general. This paper presents a modular computational ontology for the interlinked representation of all the facts related to the archaeological and archaeometric analyses and interpretations, also connected to the recording catalogues. The computational ontology is compliant with CIDOC-CRM reference models CRMarchaeo and CRMsci and introduces a number of novel classes and properties to merge the two worlds in a joint representation. The ontology is in use in “Beyond Archaeology”, a methodological project for the establishing of a transdisciplinary approach to archaeology and archaeometry, interlinked through a semantic model of processes and objects.
Biographical collections are available on the Web for close reading. However, the underlying texts can also be used for data analysis and distant reading, if the documents are available as data. Such data is usable for creating intelligent user interfaces to biographical data, including Digital Humanities tooling for visualizations, data analysis, and knowledge discovery in biographical and prosopographical research. In this paper, we re-use biographical collection data from a historiographical perspective for analyzing the underlying collection. For example: What kind of people have been included in the collection? Does the language used for describing female biographees differ from that for men? As a case study, the Finnish National Biography, available as part of the Linked Open Data service and semantic portal
A typical case of producing records within the domain of conservation of cultural heritage is considered. During condition and collection surveys in memory organisations, surveyors observe types of multiple components of an object but without creating a record for each one. They also observe the absence of components. Such observations are significant to researchers and are documented in registration forms but they are not easy to implement using popular ontologies, such as the CIDOC CRM which primarily consider individuals. In this paper techniques for expressing such observations within the context of the CIDOC CRM in both OWL and RDFS are explored. OWL cardinality restrictions are considered and new special properties deriving from the CIDOC CRM are proposed, namely ‘typed properties’ and ‘negative typed properties’ which allow stating the types of multiple individuals and the absence of individuals. The nature of these properties is then explored in relation to their correspondence to longer property paths, their hierarchical arrangement and relevance to thesauri. An example from bookbinding history is used alongside a demonstration of the proposed solution with a dataset from the library collection of the Saint Catherine Monastery in Sinai, Egypt.
Stories are important tools for recounting and sharing the past. To tell a story one has to put together diverse information about people, places, time periods, and things. We detail here how a machine, through the power of Semantic Web, can compile scattered and diverse materials and information to construct stories. Through the example of the WeChangEd research project on women editors of periodicals in Europe from 1710–1920 we detail how to move from archive, to a structured data model and relational database, to Wikidata, to the use of the Stories Services API to generate multimedia stories related to people, organizations and periodicals.
As more humanists, social scientists and other researchers choose to contribute their data to Wikidata we will all benefit. As researchers add data, the breadth and complexity of the questions we can ask about the data we have contributed will increase. Building applications that syndicate data from Wikidata allows us to leverage a general purpose knowledge graph with a growing number of references back to scholarly literature. Using frameworks developed by the Wikidata community allows us to rapidly provision interactive sites that will help us engage new audiences. This process that we detail here may be of interest to other researchers and cultural heritage institutions seeking web-based presentation options for telling stories from their data.