Abstract

Blythburgh
for Eleanor
There is the place where I would stand,
outstretched hand sunk into a column
of pure, saturated prayer. For once
not worrying about following another’s
rhythm, for you were waiting where the light
streaming through the clerestory windows
was the natural element of angels poised
to swan-dive. There outstretched, where
for a moment I could breathe underwater.
© Clare Bryden 2024
Kilpeck Church
In memoriam Mrs Browning
When I described to you Kilpeck Church
– my parents having dragged my twelve-year self to visit –
I doubt I had much to say about decoding ecclesiastical architecture.
I might have mentioned the carved Norman arch over the south door,
but skipped the probable Celtic origins, corbel of pig with man in mouth,
the Pugin glass, a Sheela-na-gig, and dedications to St Mary and St David.
I suppose that most of what I had to say concerned the What I’d felt inside,
because you gave me something that approached a side eye, your slant
perceiving an encounter with the Holy. I’m reading from a later place of faith.
Though now I wonder if my twelve-year self stood one foot in that faith
in Kilpeck nave. A necessary presence, traced in glass and stone, in me
these forty years. Back or forth in time – which way do echoes carry?
© Clare Bryden 2024
At Tymawr Convent
I The chapel speaks
Place your hand upon these walls,
soft on rough rock hewn haphazard
into a house of prayer.
Trace each beam and upright
of the Stations of the Cross, scratched
into fourteen rough grey stones.
Put your finger in the marks of the masons
working burnt-rose blocks fit
for an everlasting altar.
II Sanctuary lamp
On the altar at the Eucharist are lit
two candles, and three and three
tealights set in a sweep of leaves
on the sanctuary step, but the one
thing that is needful is the faintest
light kept burning by the blessed
sacrament, day and night holding
all the darkness of the world at bay.
III The conviction of things not seen
At five o’clock
the chapel bell is rung
to call the community to evening prayer.
Thirty-three times,
the years of our Lord’s days.
Above the altar
the figure on the crucifix listens closely
as the thirty-third sounds
and fades away,
is silent and lingers.
IV
Yes my Lord and my God. Come,
scratch your sign on the walls
of my rocky heart.
© Clare Bryden 2024
And there was light
It’s Summer Time at 6am the day
the clocks have changed. Within,
the Lady Chapel broods
a silent dark. Without,
the dawning chorus start an inkling
there is something in the air:
Let there be light they sing and
flickers of remembering
catch in charcoal, flaring
fire and flame and
bursting to Exsultet! Be radiant
in the brightness of your King!
It’s Summer Time and everything
has changed. An angel
perches where the stone is rolled and
all is surging life on life expressly
as foretold.
© Clare Bryden 2024
Sowing seeds
I’m providing end-of-life care on my window sill.
May these seeds sown
in scrubbed-up plastic pots of compost
rest in peace
and rise in glorious juicy ripe tomatoes
fulfilling packaged promises of Golden Sunrise,
Summer Sensation, Gardener’s Delight.
Lord, sow me in your soil. Let
my frequent falls to earth be into your earth.
Be the answer to my questioning roots, delving
after nutrients. So my every death to self
gives birth a shoot, budding, burgeoning,
yielding golden fruit. Let me
be the Gardener’s delight.
© Clare Bryden 2024